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Bernini: Art as Theatre: Warwick, Ms. Genevieve ~ Bernini: Art as Theatre forges a new analysis of Baroque illusionism through a study of this artist’s sculptural ensembles. Gian Lorenzo Bernini (1598–1680) was a sculptor, architect, and painter, but also a court scenographer, playwright, actor, and director. Bernini’s work in theater served as a wellspring for his art’s visual effects.
Bernini: Art as Theatre. - Free Online Library ~ Bernini: Art as Theatre Genevieve Warwick New Haven: Yale University Press, 2012. 224 pp.; 24 color ills., 42 b/w ills; $55.00 cloth. ISBN 978-0-300-18706-9
Bernini : art as theatre (Book, 2012) [WorldCat] ~ "Bernini: Art as Theatre forges a new analysis of Baroque illusionism through a study of this artist's sculptural ensembles. Gian Lorenzo Bernini (1598-1680) was a sculptor, architect, and painter, but also a court scenographer, playwright, actor, and director. Bernini's work in theater served as a wellspring for his art's visual effects.
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Bernini by Genevieve Warwick / Waterstones ~ Bernini: Art as Theatre forges a new analysis of Baroque illusionism through a study of this artist's sculptural ensembles. Gian Lorenzo Bernini (1598-1680) was a sculptor, architect, and painter, but also a court scenographer, playwright, actor, and director. Bernini's work in theater served as a wellspring for his art's visual effects.
Bernini: Art as Theatre ~ With Bernini: Art as Theatre, Genevieve Warwick has produced one of the most significant contributions to the recent surge of literature on Gian Lorenzo Bernini. Her fascinating book is articulate and thoughtful, its arguments sound and convincing. It incorporates a wide body of scholarly literature and mines archives and primary sources to provide new looks at well-known objects.
Bernini: Art as Theatre: : Warwick, Genevieve ~ Bernini: Art as Theatre forges a new analysis of Baroque illusionism through a study of this artist's sculptural ensembles. Gian Lorenzo Bernini (1598-1680) was a sculptor, architect, and painter, but also a court scenographer, playwright, actor, and director. Bernini's work in theater served as a wellspring for his art's visual effects.
Bernini: The Sculptor of the Roman Baroque: Rudolph ~ This book is a thorough discussion of the sculptural works of Gianlorenzo Bernini by probably the pre-eminent scholar of Baroque art. It is filled with superb photographs, mostly black-and-white. This is a scholarly work as well as being very visually appealing.
[PDF] Books Bernini And The Bell Towers Free Download ~ Bernini And The Bell Towers Bernini And The Bell Towers by Sarah McPhee. Download it Bernini And The Bell Towers books also available in PDF, EPUB, and Mobi Format for read it on your Kindle device, PC, phones or tablets. But the project failed spectacularly. This volume tells the story of the bell towers, presenting both visual and documentary evidence..
Bernini - Edinburgh Research Explorer ~ This book forges a new analysis of Baroque illusionism through an interdisciplinary study of Bernini's sculptural ensembles. It understands the force of this art's illusionism as founded in a fiction of materials effected through medial exchange between architecture, sculpture, and painting which Bernini practised in both his art and theatre scenographies.
Bernini Artworks & Famous Sculptures / TheArtStory ~ Art historian Emma Barker writes that Bernini's "twisting figures and deeply carved draperies defy the limits of niches or pedestals and cannot be bound or framed by a single view." Instead the viewer is encouraged to walk around the sculpture, taking it in from multiple angles to fully appreciate every detail.
Gian Lorenzo Bernini / Italian artist / Britannica ~ The greatest single example of Gian Lorenzo Bernini’s mature art is the Cornaro Chapel in Santa Maria della Vittoria, in Rome. The chapel’s focal point is Bernini’s sculpture of The Ecstasy of St. Teresa (1645–52), a depiction of a mystical experience of the great Spanish Carmelite reformer Teresa of Ávila .
Bernini's Rome: Art and Architecture of the Baroque ~ April 26 and 27, 2013 Marines’ Memorial Theatre, San Francisco Listen to audio from this program 5 lectures and 1 performance. Enjoying the patronage of Popes and the wealth of the resurgent Counter-Reformation Church, Bernini used his immense talents as an architect, painter, and especially as a sculptor to help define the unique visual style […]
Bernini Biography, Life & Quotes / TheArtStory ~ The Bernini family moved to Rome in 1606 as Pietro was invited by the Pope to work on the basilica Santa Maria Maggiore. Bernini's first sculpture The Goat Amalthea with the Infant Jupiter and a Faun was started when Bernini was eleven years old. It was reported that when Cardinal Maffeo Barbenini visited the Bernini family workshop he warned Pietro Bernini to be careful, as his son would soon .
Edinburgh Research Explorer ~ history of oral performance, and in order to associate Bernini’s art with theatrical illusion.8 His critical legacy guides this book’s enquiry into relations between art, theatre and illusion in Bernini’s sculptural work. * * * In the preface to Bernini and the Unity of the Visual Arts of 1980, Irving Lavin began with
Bernini: And the Art of Architecture by Tod A. Marder ~ But previous discussions have tended to focus on Bernini's sculpture alone. This book is an extensive narrative considering all of The work of Gian Lorenzo Bernini (1598-1680) virtually defines the Baroque style in the visual arts.
Bernini: The Sculptor of the Roman Baroque (F A GENERAL ~ Gian Lorenzo Bernini (1598-1680) was the most influential sculptor of his age. Inventive and skilled, he virtually created the Baroque style. In his religious sculptures he excelled at capturing movement and extreme emotion, uniting figures with their setting to create a single conception of overwhelming intensity that expressed the fervour of Counter-Reformation Rome.
Bernini's Genius / Arts & Culture / Smithsonian Magazine ~ Bernini's work, however, was about to enter a new phase. In 1623, Barberini, his friend and patron, was elected Pope Urban VIII. As Bernini's son Domenico relates, the new pope summoned the young .
Bernini by Rudolf Wittkower - Meet your next favorite book ~ Gian Lorenzo Bernini (1598-1680) was the most influential sculptor of his age. Inventive and skilled, he virtually created the Baroque style. In his religious sculptures he excelled at capturing movement and extreme emotion, uniting figures with their setting to create a single conception of overwhelming intensity that expressed the fervour of Counter-Reformation Rome.
Gian Lorenzo Bernini - 56 artworks - painting ~ Bernini's design of the Piazza San Pietro in front of the Basilica is one of his most innovative and successful architectural designs. Within the basilica he is also responsible for the Baldacchino, the decoration of the four piers under the cupola, the Cathedra Petri or Chair of St. Peter in the apse, the chapel of the Blessed Sacrament in the .
Gian Lorenzo Bernini's Sculptures: David / Study ~ Bernini and the Baroque. During the Italian Renaissance, art was defined by rational logic, detachment, and the embodiment of perfection. In the 17th century a few new artists came along who broke .
A Tour of Bernini's Masterpieces in Rome ~ Bernini’s Fountain of the Four Rivers is one of his most famous works and it is found in pride of place in the centre of Piazza Navona.Built to support the obelisk (a Roman imitation of the Egyptian obelisks), the immense sculpture combines rocks, plants and trees interspersed on each corner by figurative representations of the major rivers in the four discovered continents at the time: the .
Gian Lorenzo Bernini - Later years / Britannica ~ Gian Lorenzo Bernini - Gian Lorenzo Bernini - Later years: Bernini’s late works in sculpture are inevitably overshadowed by his grandiose projects for St. Peter’s, but a few of them are of outstanding interest. For the Chigi Chapel in the Church of Santa Maria del Popolo in Rome, he carved two groups, Daniel in the Lions’ Den and Habakkuk and the Angel (1655–61).
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