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Marble Queens and Captives: Women in Nineteenth-Century ~ Marble Queens and Captives: Women in Nineteenth-Century American Sculpture Hardcover – September 26, 1990 by Professor Joy S. Kasson (Author) See all formats and editions Hide other formats and editions

Marble queens and captives : women in nineteenth-century ~ Marble queens and captives : women in nineteenth-century American sculpture. [Joy S Kasson] Home. WorldCat Home About WorldCat Help. Search. Search for Library Items Search for Lists Search for Contacts Search for a Library . Print book: EnglishView all editions and formats:

Marble Queens and Captives: Women in Nineteenth-Century ~ Marble Queens and Captives book. Read reviews from world’s largest community for readers. . Women in Nineteenth-Century American Sculpture” as Want to Read: . Start your review of Marble Queens and Captives: Women in Nineteenth-Century American Sculpture. Write a review. Aysia rated it really liked it May 08, 2019.

Marble queens and captives : women in nineteenth-century ~ Stanford Libraries' official online search tool for books, media, journals, databases, government documents and more.

Marble Queens and Captives: Women in Nineteenth-Century ~ Marble Queens and Captives: Women in Nineteenth-Century American Sculpture. By Joy S. Kasson. Price. Store. Arrives. Preparing. Shipping The price is the lowest for any condition, which may be new or used; other conditions may also be available. . Book category Adult Non-Fiction. ISBN-13 9780300045963. ISBN-10 0300045964. Dimensions 1 by 7 by .

Marble queens and captives (1990 edition) / Open Library ~ Marble queens and captives by Joy S. Kasson, 1990, . Marble queens and captives women in nineteenth-century American sculpture by Joy S. Kasson. 0 Ratings 0 Want to read . women in nineteenth-century American sculpture 1990, Yale University Press in English aaaa. Not in Library .

Marble Queens and Captives: Women in Nineteenth Century ~ Buy Marble Queens and Captives: Women in Nineteenth Century American Sculpture by Js Kasson (ISBN: 9780300045963) from 's Book Store. Everyday low prices and free delivery on eligible orders.

Art Object Page - National Gallery of Art ~ A Pocket Memorandum Book During A Ten Weeks' Trip to Italy and Germany in 1847. New York, 1848: 82-83. . Marble Queens and Captives: Women in Nineteenth-Century American Sculpture. New Haven, 1990: 46-72, repro.

The Color of Stone: Sculpting the Black Female Subject in ~ Nineteenth-century neoclassical sculpture was a highly politicized international movement. Based in Rome, many expatriate American sculptors created works that represented black female subjects in compelling and problematic ways. Rejecting pigment as dangerous and sensual, adherence to white marble abandoned the racialization of the black body by skin color.

Nineteenth-Century Gender Studies: Issue 7.1 (Spring 2011) ~ She is the author of Buffalo Bill’s Wild West: Celebrity, Memory, and Popular History (Hill and Wang, 2000) and Marble Queens and Captives: Women in Nineteenth-Century American Sculpture (Yale University Press, 1990). She teaches courses on literature, visual culture, and cultural history.

Kasson, Joy S Ch. 3 Narratives of the Female Body 'The ~ xxxxx Ms. xxxxx FAS-370 07 October 7, 2017 Annotated Bibliography_Module5 Kasson, Joy S. “Ch. 3 Narratives of the Female Body: 'The Greek Slave.” Marble queens and captives: women in nineteenth-Century American sculpture, Yale University Press, 1990, pp. 46–72. As a Professor of American studies and English at the University of North Carolina and an accomplished author, Prof. Joy Kasson .

‘Thasian’ Marble Sculptures in European and American ~ Marble Queens and Captives: Women in Nineteenth-Century American Sculpture by Joy S. Kasson, New Haven and London: Yale University Press, 1990, 293 pp., 103 b. . A Gallo-Roman marble sculpture .

Miscegenation in Marble: John Bell’s Octoroon: The Art ~ See Kasson, Marble Queens and Captives: Women in Nineteenth-Century American Sculpture (New Haven, CT: Yale University Press, 1990), 58. 6 In fact, Bell certainly knew of the Powers work before the Crystal Palace Exhibition. The first marble version of Powers’s sculpture was nearly continuously on view in London from 1845 until 1848.

Professor Joy S Kasson - AbeBooks ~ Marble Queens and Captives: Women in Nineteenth-Century American Sculpture Professor Joy S. Kasson Published by Yale University Press 1990-09-26 (1990)

Barringer / A White Atlantic? The Idea of American Art in ~ This article begins with the contention that 'American art' is a powerful retrospective construction, rooted in the institutional practices of art history and museology. Through a focus on the experiences of expatriate American artists (John Singleton Copley and Benjamin West) in London at the start of the nineteenth century, and the genre or landscape painting in transatlantic art (including .

Feminist Scholarship Review: Women's Self-Expression ~ Queens and Captives: Women in Nineteenth-Century American Sculprure (New Haven: Yale Univ. Press, 1990), pp. 141-65; and Laura R. Prieto, At Home in the Studio: The Professionalization of Women Artists in America (Cambridge and London, 2001).

Images of Women by Women in Nineteenth-Century American ~ Presents a series of instructional resources that includes three color plates illustrating the work of three sculptresses. Portrays the historical subjects: colonial America's Virginia Dare, the biblical Hagar, and ancient history's Zenobia. Activities include researching the artist, the subject, and the historical period. Discusses the White Marmorean Flock school of sculpture.

American Sculpture in The Metropolitan Museum of Art. Vol ~ The Museum's holdings accurately document the history of American sculpture and its development as a profession, from the artists who lived in Italy and carved in marble and those who studied in Paris and cast in bronze, to those who worked only in the United States and were pioneers in the techniques of their art.

: Joy S. Kasson ~ Book Series. Penguin Classics; Book Format. Paperback; Hardcover; Kindle Edition; Book Language. . Marble Queens and Captives: Women in Nineteenth-Century American Sculpture. by Professor Joy S. Kasson / Sep 26, 1990. Hardcover . Europe and the American Imagination in the Works of Irving, Allston, Cole, Cooper and Hawthorne .

Flint / Response to Tim Barringer, A White Atlantic? / 19 ~ For American adoption of classical style in sculpture, see especially Joy S. Kasson, Marble Queens and Captives: Women in Nineteenth-Century American Sculpture (New Haven: Yale University Press, 1990).

(PDF) Marmoreal Sisterhoods: Classical Statuary in ~ Priscilla Wald, 'Immigration and Assimilation in Nineteenth-Century US Women's Writing', in Cambridge Companion to Nineteenth-Century American Women's Writing, ed. by Dale M. Bauer and Philip .

Joy S. Kasson / LibraryThing ~ Marble Queens and Captives: Women in Nineteenth-Century American Sculpture 9 copies. . America (2) American art (3) American history (5) American West (11) biography (30) . Related book awards. George Freedley Memorial Award finalist. Related people/characters. Buffalo Bill Cody.

The Color of Stone: Sculpting the Black Female Subject in ~ Nelson contributes a highly theorized perspective to a growing body of feminist scholarship on Neoclassical sculpture, building upon the work of Joy Kasson and her groundbreaking study, Marble Queens and Captives: Women in Nineteenth Century-American Sculpture (New Haven: Yale University Press, 1990), and more recently Nancy Proctor’s .

Collective Degradation: Slavery and the Construction of Race ~ 9 See Joy S. Kasson, Marble Queens and Captives: Women in Nineteenth-century American Sculpture. New Haven: Yale University Press, 1990, and Jean Fagan Yellin, Women and Sisters: The Antislavery Feminists in American Culture. New Haven: Yale University Press, 1989: 99-124.

Gendered Construction of the American Indian in Popular ~ American neo-classical sculpture: The marble resurrection. New York: Viking. Google Scholar . Marble queens and captives: Women in nineteenth century sculpture. New Haven , CT: Yale University Press. Google Scholar . Download all figures. 276 Views. 18 Citations.